Christopher Wood (‘Kit’ as he was more commonly known) was born in Liverpool. At 14 he was diagnosed with septicaemia and confined to his bed for three years, during this time he took up drawing. Wood moved to London and worked as an importer of dried fruit, his route to and from work took him through a West End that was still steeped in the bohemian atmosphere of the pre-war years. He was inspired by the comings and goings of this exuberant life and would sit sketching for hours. During this time Wood met Alphonse Kahn, one of the best-connected men in the Paris art world, Kahn invited him to Paris and Wood readily accepted leaving London in 1921.
Through extended visits to Paris between 1921 and 1924 he came into contact with the European avant-garde and established himself as a prominent and popular artist winning the admiration and affection of Picasso and Jean Cocteau. Wood was one of the very few British artists to recognise and respond to the new landscape of modernism and have a solo exhibition in Paris at that time. During his Parisian years Wood became addicted to opium and in 1930 was tragically killed by a train at Salisbury station whilst under the influence of the drug.
Focusing on the collection that Jim Ede built, this publication tells the story of Wood's life through the works at Kettle's Yard. Richly illustrated with over 40 colour illustrations and reproductions of all works in the collection, it includes writings by Jim Ede on Wood, an essay by curator Elizabeth Fisher, the artist John Piper and the poet Max Jacob, alongside previously unpublished extracts from letters between Wood and Jim Ede, Ben and Winifred Nicholson, and his mother Clare Wood. This is a comprehensive account from the largest public collection of works by Christopher Wood.
Published in 2013
Dimensions 210 x 170mm